by Jim Sterling On February 5, 2021, Shintaido of America (SOA) held a celebration via Zoom to honor Michael Thompson, Doshu, with a Lifetime Achievement Award. During this event over…
Read moreShintaido Northeast Kangeiko
by Eva Thaddeus
In the Northeast, our coldest cold spell this winter came in February. It was down to zero where I live just north of NYC, and windy as well. In an otherwise mostly mild winter, it suddenly felt dangerous just to be outside. My chickens, who usually strut around happily in the open air all season, took refuge in their dog crate and did not want to come out. I was reminded that cold, very cold, and extremely cold are all quite different things.
So it was for Kangeiko weekend. I planned to join the gasshuku late, driving up to Massachusetts in time to make the second keiko, because I had business at home on Saturday morning. That morning I got voice mail from Mary Foran saying, “The dojo has no heat. We are in the basement with a space heater. Just letting you know in case you want to rethink coming all this way.” I texted back, “Unless you decide to give up and go home, I’d like to come. I want to see everybody.” Since Kangeiko means cold weather practice, and since we’ve done a lot of Kangeiko together for many years, I didn’t think there was much chance of disbanding because of cold weather, even extremely cold weather.
Sure enough, when I got to the Town Hall in Petersham, Massachusetts, I was greeted by friends in down vests and gloves, saying, “Wear whatever you want for this keiko as long as it’s warm.” They led down to the basement where, with the help of the space heater, the space was up above freezing, just barely. Bela Breslau had taught that morning, and had to start by discussing with the group what to do about the lack of heat. Unfortunately, a couple of people had needed to drop out because the cold wasn’t workable for them, including Michael Thompson who had been scheduled to give some of the instruction. The people who stayed had begun by huddling in a circle and sharing verbally some of what was going on in their lives. Then Bela led freehand sword cutting. Swords turned out not to work because the basement ceiling was too low.
For the second keiko, Matt Shorten led warmups and Stephen Billias taught. I found that the basement was really very cold! After a 3-hour drive, it was hard to feel that warmups had done much in the way of warming my body. But as we went through our usual keiko progression, bringing more vigor into our movement, the warmth started to come. We practiced more sword movements free hand: hasso and mugen. Finally, Stephen asked if we were willing to go upstairs into the dojo with no heat at all, so we could use our swords. We agreed, we went, and it was even colder! But – now we had bokutohs and boken. And Stephen had us working in pairs. There is something about the alertness that comes with kumitachi that warms my body, every time. It was especially noticeable once Stephen put us in groups of five, with four attacking one who stood in the center. The eyes, the brain, the blood, the arms and legs all went on high alert. Now it seemed good to me to be doing such a very cold weather practice, bringing life and warmth into the depths of winter.
Stephen brought us outside for a final tenso-shoko. We stood in a patch of the village green and cut forward as the church bell struck five and the bell tower of the Town Hall turned orange in the setting sun.
Dinner was at Matt and Bonnie’s home, cozy, potluck, with a dog and a fire. Some of us stayed at Hartmann’s herb farm, a place we have been before, before the pandemic, before Joe Zawielski sensei’s passing. It was good to be back. As Margaret Guay- who was my roommate – said to me, “This feels important.” The importance was not in the content of the keikos so much as in the resumption of the gasshuku kata. It was important to eat together, to do more than one keiko and experience the physical/emotional/spiritual changes from one keiko to the next. It was good that at least some of us could be together under one roof.
On Sunday morning, Margaret led us in beautiful katas: diamond eight (free hand and then with sword) and finally Taimyo Part One. As we walked out of Town Hall after saying our goodbyes, guess what! It was up to forty degrees. The cold weather lasted just as long as the Kangeiko.
Pacific Shintaido Kangeiko 2023
By Derk Richardson
It had been three years since Pacific Shintaido was able to host its annual Kangeiko gathering in person. But, after two years of surprisingly successful virtual workshops, with participants from all over North America and Europe interacting via Zoom, Shintaido practitioners came together over the Martin Luther King Jr. holiday weekend to explore the theme Hei Ho: The Strategy of Fighting, the Strategy of Peace. On Saturday, January 14, and Sunday, January 15, four keikos were held in the gymnasium at Claremont Middle School in Oakland.
General Instructor Connie Borden and Senior Instructor Rob Gaston accepted the invitation by the Pacific Shintaido Board—Shin Aoki, Cheryl Williams, and Derk Richardson—to serve as guest instructors for Kangeiko 2023. Both hold Yondan ranking in kenjutsu, which was the general subject for the workshop. The specific theme, Hei Ho: The Strategy of Fighting, the Strategy of Peace, was inspired by a 2020 interview with Master Instructor Masashi Minagawa (published in Body Dialogue on November 6, 2022). In his opening ceremony remarks, Derk quoted Minagawa Sensei’s comments on Kangeiko (“we refresh our old selves and go back to the original beginner’s mind”), Kenjutsu (“The sword can be used as a tool or compass which can show us how to manage our lives, it can show us which direction to follow”), and the concept of Hei Ho. “The word Hei Ho 兵法 … means the Strategy of War. If Hei is written differently [using another Chinese character 平] it can also mean Strategy of Peace 平法.… Therefore, there are two ways of studying martial arts, the way of war and the way of peace.”
Before we began warmups, led by Director of Instruction Shin Aoki, Rob Sensei led us in an exercise to help set our intention for both Kangeiko and the coming year. He asked the ten attendees to offer up words that spontaneously came to mind when we thought about achieving peace in the world. Responses included “love,” “empathy,” “compassion,” “forgiveness,” “community,” “diversity,” and more. Rob Sensei urged us to fold those thoughts into our intention and hold that intention throughout the workshop.
After warmups, Connie Sensei led us in several sets of Reppaku, two linked movements in Taimyo kata. Drawing fists to hips, we opened palms and extended them forward while taking a right hangetsu step. Then, bringing feet together and the backs of our hands together at the chest, we reached up overhead, twisted our hands back, and cut forward and out while taking a left hangetsu step. Connie Sensei offered the images of emptying our pockets, lightening our loads, letting go of the burdens we carry, and spreading the seeds of intention, and then flying up and opening out to see the view before us. After a couple of repetitions, we were encouraged to find our own inspirations and images as we repeated the movements.
For the next hour, Rob Sensei led us in kiri-oroshi kumite, a partner cutting and opening technique, keeping in mind the goals of reconnecting and establishing a physical and spiritual conversation. Keiko one concluded with Rob Sensei leading us in Hoten Kokyu Ho, the gentle kata of embracing the great universe, bowing, embracing the tiniest universe, and rising up again. Those of us familiar with the poem Rob Sensei had written to correspond with the movements might have envisioned expanding our awareness from ourselves to others, to greater communities and cultures, to nature, the biosphere, and cycles of birth and death, and to the solar system, galaxies, and black holes, acknowledging that we are made of stardust and the universe is in us, and finally expanding our awareness to Ten and rising up to Ten Chi Jin.
The next three keikos were dedicated almost entirely to kenjutsu, with participants using bokuto or, in some cases, bokken. Connie Sensei and Rob Sensei taught alternating segments of the curriculum they have developed together. On Saturday afternoon, after Sandra Bengtsson led warmups, Connie led us through stepping practice with bokuto—steps number one through four, plus irimukae, holding the bokuto in a vertical position close to the body and doing step number one, as if stepping into one’s sword. Rob Sensei guided us in sword-drawing techniques and in practicing the transitions between shoko and tenso. And Connie Sensei gave us instruction in bokuto kumite, dai jodan versus jodan, demonstrating with Rob Sensei and adding new partner pairings until all participants were doing the kumitachi. Keiko number two ended with 15 minutes of open-hand Tenshingoso kumite.
Keiko number three, on Sunday morning, began with Connie Sensei leading a freeform style of warmups with the aim of dissolving the roles of leader and follower, emphasizing listening, softening, releasing, and achieving fluid movement. Rob Sensei reviewed the previous afternoon’s kumitachi, which we practiced with different partners and many repetitions. Connie Sensei introduced one-hand Tenshingoso kumite, with one partner responding to the other’s four Tenshingoso movements, cultivating a tight, elastic “ma.” We did the same in two lines of partners facing each other, one side leading and the other responding, moving together in a chorale. In the end, practitioners in both lines did all four Tenshingoso movements, the lines flowing back and forth like ocean waves. Ten minutes of Wakame brought the keiko to a close.
For the last of the four keikos, after Derk led 30 minutes of warmups, we continued with our kenjutsu practice. We divided into two groups. One person stood in the middle, sword raised in tenso. One by one, the others stepped forward quickly and cut the stationary person with jodan kiri komi. Each practitioner took a turn in the center. Our final sword practice was eiko dai kumite, dai jodan versus jodan kiri komi. It started with Connie Sensei and Rob Sensei. Then it became a rotation until everyone had participated. The last few pairings became more free-flowing and continuous. The keiko closed with Connie Sensei leading us in another movement from part one of Taimyo kata, Sai-Zan, “breaking through mountains.” She has reflected deeply on this movement’s relationship to the practice of death awareness, an analog to an army’s retreat, in focused concentration, without fear. But, as a coda to our Kangeiko curriculum, it felt more like an affirmation of life and of our collective intention to move forward with what we had learned.
Overall, the kenjutsu curriculum that Connie Sensei and Rob Sensei created for Pacific Shintaido’s Kangeiko 2023 was fairly basic—simple, foundational movements with a lot of repetition and opportunities to practice with different partners. For those practitioners with less kenjutsu experience, it provided an opportunity to develop muscle memory and inhabit the form. For more senior practitioners, it opened up the space to go deeper into their relationship with the sword—bokuto or bokken—and explore the meaning within. For all, there was an exhilarating suffusion of tenso feeling. We thank Connie Sensei and Rob Sensei, and participants from the greater Bay Area and from Florida, for making Kangeiko an expanded moment of self-refection and enhanced connection with our fellow Shintaido “beginner’s mind” practitioners, the human community, and the universe.
Reflections on Sai-Zan. “Breaking through mountains” — Kokyu when retreating
By “Next Steps” Connie*
I wrote a recent article on grief, death and loss; I now have some reflections on the benefit of practicing Taimyo Part I — specifically the movement 碎山/Sai-Zan “breaking through mountains”— using kokyu in relation to the individual practice of death awareness. As a forewarning, the subject is awareness of one’s mortality, so you may wish to pick the best time to read and reflect on this topic.
What can be practiced with Sai-Zan within Taimyo? This was a focus of study at the Quebec Gasshuku in
September 2022: we step back while doing a tsuki forward, we step back a second time, while keeping our concentration, then we step back a third time bringing our fists to the center of our chest/heart and then tsuki forward to finish with our arms open wide. The analogous military strategy is when the leader retreats with their troops while keeping concentration, keeping troops from fleeing in fear, and making sure no one is left behind.
Sai-Zan and its application to living life was the focus of a dinner discussion in Quebec. I asked the group, “Can you name other (non-military) heroic efforts threatened by almost certain demise?” Here are some of the ones I thought about: the doctors and nurses in New Orleans during Hurricane Katrina in the stranded nursing home with its frail residents; neighbors like Ko Ueda taking food to isolated neighbors during the COVID pandemic; Mike Sheets taking sandbags in wheelbarrows up our street to prevent garages from flooding, when a large water main broke and sent rivers of brown sludge down our street. Can you think of examples?
I have been reading and reflecting on how our mind resists awareness of our mortality. Fears and regrets are often reasons to avoid this subject. What do most of us really wish for? One desire is to build an ideal world, to live fully, so we may not want to ask ourselves “What if?”
And what about our daily life awareness? I was fortunate to experience 20 years of working in hospice and palliative care, experiencing death and dying up close. I was aware of my mortality and the ever-present reminders of the shortness of life that made me stay awake and stay aware.
I see a practice for death awareness, so I explored doing the three movements of Sai-Zan, while incorporating what Thich Nhat Hanh wrote in his book, The Blooming of a Lotus:
Knowing I will get old, I breathe in, Knowing I can’t escape old age, I breathe out.
Knowing I will get sick, I breathe in. Knowing I can’t escape, I breathe out.
Knowing I will die, I breathe in. Knowing I can’t escape death, I breathe out.
>>>>>
Determined to live my days deeply in mindfulness, I breathe in.
Seeing the joy and benefit of living mindfully, I breathe out.
I brought this practice to a local hospice during an open mic session on death and dying on November 3rd. Comments included “visceral,” “cathartic,” and “a way to process grief.” For Shintaido and students of body movement, there is focused work with the breath – kokyu – breathing in through the nose; breathing into the belly and slowly releasing. We can practice Sai-Zan with a focus on our breath while stepping backward and reaching forward with our arms/fists.
This is an unfinished essay – how might you finish it? How do you develop awareness of mortality? What parts do you resist or how do you avoid daily practice? What are your deepest fears? What are your greatest joys?
Watch the Reflection on Sai-Zan on Shintaido of America YouTube channel.
*Many ask me “What’s next Connie?”- hence my moniker: Next Steps Connie.
Phillipe Beauvois has been a student and teacher of Shintaido for 45 years along with Taichi and Shin-Anma Shiatsu. He participated in the First International Shintaido Gasshuku in 1980 and studied with Robert Breant. In 1985 he started teaching Shintaido on the French Riviera in Grasse. Phillipe, who has been diagnosed with terminal head and neck cancer, reflects on his learnings and his wishes for future students.
Consider visiting Phillipe´s website (in French, can be translated into English in a browser).
Links
Reflections on Sai-Zan video
https://youtu.be/25WQ-WtVGbE
Poetry in Motion
by Robert Gaston
About the author
Many of you may have been fortunate to have had a chance to do keiko with Robert Gaston. He is a Senior Instructor of Shintaido and has practiced and studied for almost 40 years. He is a member of the International Technical Exam Committee (ITEC).
Rob initially studied Shintaido with John Seaman while he was at college in Oregon. When he left school, he joined the U.S. Navy and was stationed on the USS Enterprise aircraft carrier. He made part of this giant ship his dojo where he taught Shintaido to his colleagues.
He currently lives in the San Francisco Bay Area with his wife Sandra and daughter Sally both of whom practice Shintaido.
Rob teaches two classes a week; one Bojutsu and one Shintaido via Zoom. Please enjoy his movement and poetry.
This poem came to me at the end of a Zoom Master style class for the Global Taimyo Community taught by Clélie Dudon with Ito-sensei giving feedback.
She taught Taimyo part 3. Ito-sensei gave feedback to us all that focused on the Hoten-kyoku-ho. He expressed two important points, first focus on extending our reach in the bow, like a starfish encompassing and surrounding a sea urchin and second to feel ourselves being inflated from the outside, like the hairs on our entire body are being gently pulled.
I am not sure when I first learned the basic sequence of Hoten-kyoku-ho. It was probably at a Pacific Shintaido meditation workshop in the early to mid 90s.
Initially, it was a healthy body movement that helped ease my sore back after a lot of kaihokei Keiko. But when it was included in the Taimyo sequence and the subsequent Pacific Shintaido’s Taimyo workshop, it became one of the movements I began to feel connected, to others, to nature, to the universe, to something more.
It has had, like other Shintaido movements (i.e ,kirioroshi kumite) a multi-layer effect on my consciousness, peeling or cutting through levels of awareness. The effects and my awareness of Hoten-kyoku-ho have been gradual over many years and I have expressed my most recent “ah-ha” in this poem.
Thank you and please enjoy.
Hoten Kokyu Ho
(“Hugging Heaven”)
I bow and embrace, thank and acknowledge myself, body, present situation.
Turning to the right, I feel myself invited to expand my awareness to others
my family, friends, coworkers, those I struggle with.
I turn and face forward, changing my view point to face life directly.
I bow and embrace, thank and acknowledge them.
Turning to the left, I feel myself invited to expand my awareness to a greater community
the struggles we have with other viewpoints and cultures.
I turn and face forward appreciating the beauty and strength in diversity.
I bow and embrace, thank and acknowledge humanity.
Turning to the right, I feel myself invited to expand my awareness to Nature, ecosystems,
the biosphere, the earth, the struggle of survival, the cycles of life and death of all beings.
I turn and face forward changing my view point, Nature and I are inherently interlinked.
I bow and embrace, thank and acknowledge connection to nature.
I turn to the left. I feel myself invited to expand my awareness to the solar system,
the sun, the planets and all their moons, the space between and their cycles.
I turn and face forward changing my view point, I am affected by their cycles
their pull and tug keeping my world safe for life.
I bow and embrace, thank and acknowledge our solar system.
I turn to the right, I feel myself invited to expand my awareness to the Milky Way and all galaxies.
The star nurseries, nebulae, supernova and black holes.
I turn and face forward changing my view point, I am made of stardust and
all that is in the universe is in me.
I bow and embrace, thank and acknowledge the cosmos.
I turn to the left and I feel myself invited to expand my awareness to Ten.
I turn and face forward changing my view point, I am always in Ten and Ten is in me.
I bow and embrace, thank and acknowledge. I rise up to Ten Chi Jin posture.
Awareness.
Robert Gaston
6 November 2022
A Revealed Dream – The Treasures Within
by Heather Kuhn
Heather Kuhn has practiced Shintaido for 23 years with the Shintaido North East (SNE) group. Also, she is a somatic psychotherapist who provides individual therapy focused on early life trauma.
As you will read, she is launching a new group Good Enough for Me that integrates Shintaido movements with other expressive arts therapy.
I had been showing up to keiko with increasing fervor for a decade. For ten years, I cultivated the radical resources of pleasure, joy, connection, and yes, a modicum of self esteem. Simultaneously, peeling the many layers of the soma-spiritual defenses I had built up from early life neglect and narcissistic abuse. This required of me leaps of trust, courage, pacing, and apparently, oceans of tears.
The twisted shell I had formed to protect me was challenged, one muddy keiko at a time, until one day I could name what was happening as, gulp, healing. After all, I had come by these unconscious defense strategies all too honestly. They were both the shield I used to avoid grief and the arrows I threw to project my own self loathing.
Through generous gorei, and more than a few sensei willing to hang in there with me, I peeled away these layers, slowly revealing an impossibly soft belly of selfness. I could see with more and more clear how painful it actually was to live that way. I could sense the value of allowing and receiving. I began to plant the seeds of vulnerability as liberation. In a world that trains us to fight each other for scraps and trained me to stay a victim, standing tall while also being soft was nothing short of transformational.
“And the Day Came When the Risk to Remain Tight In a Bud Was More Painful Than the Risk It Took to Blossom.” – Anaïs Nin
As I peered out on the keiko field one Winter morning, I wondered to myself, is movement a recognized avenue for healing from trauma or am I the very first person to discover it? The question that has guided my purpose ever since was born.
And thankfully the simple answer was it absolutely is and no, I am definitively not.
Somatic psychology is a field that studies how our inner galaxies express, reflect, and can be influenced by our embodied awareness, movement, and relationship with our environment, the Earth and universe. It integrates wisdom traditions with grounded research and, more importantly practice to help us understand ourselves, evolve, connect, and heal.
Naturally, I chose to study somatic psychology at Naropa University, where learning is highly experiential, relational, and practice based. Naropa was a collaboration between Chögyam Trungpa and Alan Ginsberg and founded in 1974 on principles combining the wild-creative and Buddhist practice. There are compelling resonances between the Naropa and Shintaido lineages for sure.
While at Naropa, I learned to become what one of my professors calls an attention athlete, as well as how to observe and understand embodied phenomena, facilitate curiosity, and follow the threads of sensation and impulse (among much much more). I saw my studies in Dance/Movement Therapy as an extension of my Shintaido journey and learned to understand what we were up to in our practice, from a psychological perspective, along with strengths, tendencies of bias, and blind spots within it.
I saw myself as an ambassador for our modality, writing several papers integrating Shintaido principles with various therapeutic topics, including attachment theory, catharsis, issues around power and relationship dynamics, and finally in my masters paper about facilitating psychotherapeutic movement in the medium of water.
The program and working with a somatic therapist was what led me the rest of the way to total body connectivity; weaving my inner world with the outer and back again – the building blocks toward the aspiration of self awareness. For four years, I set down my Shintaido practice with an inner commitment to, in part, explore how my psyche was insidiously using my practice to avoid pain. I asked, ‘would I be ok without keiko?’, since I admit that before I began Shintaido, I was not.
I was ok, gratefully, but I discovered Shintaido provided a significant resource for me. Because of my trauma, compensatory practices will likely always be necessary. In other words, the more resilience I can cultivate through practice, the more capacity I will have to fully grieve. The more I can allow grief to move through me willingly, the more access I have to a fulfilling life without the need for defenses.
Fast forward to now. After 23 years of Shintaido, 25 years of meditation practice, 11 years of training in somatic psychology, and 9 years providing individual therapy focused on early life attachment trauma, I am thrilled to announce the launch of a program that integrates Shintaido with the expressive arts therapies to support others on similar paths.
The group is called Good Enough for Me and provides an in-depth process to support adults engaged in healing the lasting effects of childhood emotional neglect, low self-worth, and/or chronic self sabotage. It is a therapy group, complete with an intake process, one-on-one goals honing and check-in sessions, and peer support structures in place. Although there is never-ending depth to explore in Shintaido, the first 10 years of practice provided a universe of curriculum which can be shaped and shared with endless creativity. What might be considered beginning Shintaido is what I am drawing from for this group.
Good Enough for Me has been a dream in the making for 23 years. I’m incredibly proud of the work I have done to be in a place where I can support this vulnerable population and pass along the generosity I was so blessed to receive in our international Shintaido community.
There are a few call outs I would like to make to people without whom I would not have gotten this far. I will never ever forget the time Gianni said “you can do it!” at my side while I did kai kya kusho across the Shintaido farm dojo. It was the first time in my whole life someone said that to me. Or the time David encouraged me to focus on the trying rather than discerning good enoughness. Or how Joe, bless his spirit, would get tearful when he saw me after too long, letting me know I mattered, I belonged, and my presence was wanted. I could go on…
Which is to say, the movements of Shintaido are important, yes, but the opportunities afforded in the movements to help people heal and grow are the real treasures of Shintaido. I believe with all my heart we have something valuable to offer in this time of acute turmoil, volatility, and systemic narcissism.
I invoke Chapter 1 from Shintaido, The body is a message of the universe:
Shintaido is the light in the shade and the sun in the shadow. People who have been constitutionally weak and depressed from birth can discover extraordinary strength and ability through Shintaido. People who have lacked the will power or determination to express even a tenth of their talent can grow and develop in Shintaido. People who have never been aware of their true value will realize the dignity of being. Those who are too self-conscious by nature to express their ideas will find new confidence and conviction. Those whose spirits are closed and stagnant will be inspired with a new faith and purpose. Those who have become private and isolated will be able to communicate a new joy of life to others. Those who are downtrodden or oppressed will understand that all human beings are equal before God and free to express their being. This is why we call our movement Shintaido or “new body way.”
To read more about Good Enough for Me, follow this link.
An interview of Master MINAGAWA
Master Minagawa answers to questions prepared by Jean-Louis de Gandt for a conference held during the yearly Kangeiko of Ile-de-France Shintaido at Fort Mahon on January 25, 2020.
Shintaido has many disciplines, Open hand, Bojutsu, Kenjutsu, Karate… What would you say is the specific ‘role’ of Kenjutsu in this overall Shintaido program? What do we learn with this Kenjutsu practice?
Kenjutsu is the most essential practice within Japanese martial arts. We can see the history of Shintaido by following in our ancient masters’ footsteps, wisdom words, etc.
The sword can be used as a tool or compass which can show us how to manage our lives, it can show us which direction to follow.
By studying kenjutsu we can learn how to focus, how to concentrate, how to develop ‘Ki’ energy, and we can learn how to understand ourselves and others.
First, we need to calm ourselves, listen to ourselves, listen to our inner voice, be mindful in the present, take in the surroundings, and also listen to our opponents and nature. Then we can learn how to manage time and space, to unify ourselves with others through kumite. This process can help us to find joy, light and direction in our lives.
If we use a weapon in the wrong way this can lead to conflict and destruction. When using a sword, we have to focus seriously otherwise we might hurt ourselves or other people. We must practice the movements exactly and correctly. That is why we practice Kihon (the basic techniques) repeatedly so many times.
Now, we use a wooden sword but if we were using a real sword, we would have to be extremely careful. Even taking it out and putting it into the scabbard is dangerous, we could easily cut our hands. Even though we are using wooden swords this weekend, our intention must be as if using a real sword.
In Japanese, we have the word “Tan ren” 鍛 錬 which means training. Keiko 稽 古 means practicing. The word “Tan ren” comes from the process of sword making and is used by sword masters. “Tan” means to hit / hammer and fold. “Ren” means to knead, like making bread. This is the process of hitting and folding or kneading the steel to make the sword pure.
The word Keiko literally means looking back – at ancient wisdom – and learning from it.
Before starting the process of making a sword, the swordmasters purify their bodies and minds by going through a ceremony and praying to cleanse their bodies, minds and spirits. The masterpiece they create then becomes a gift from god. In Japan, the sword represents the spirit of god. When people die a sword is placed on top of the body to ward off evil and protect the soul.
In Japanese mythology, there is a story called “Yamata no Orochi” *, which tells how Japan was created when the god Susanoo No Mikoto came down to earth from heaven. There was a monster called Orochi, who had eight heads and eight tails. The god found an old couple weeping because they were forced to give one of their daughters every year to the monster. The monster had already killed seven of their daughters and now they had to sacrifice their eighth daughter. Susanoo decided to save her. He asked the couple to prepare eight barrels of sake, and make eight gates. He told them to put a barrel in front of each gate. The eight-headed monster came and drank all the sake. It became drunk and Susanoo was able to cut off all the heads. As he cut through the eighth head his sword hit something in the tail. There was a sword inside the monster. It was a very special sword.**
Later this sword was used by Yamato Takeru – a legendary Japanese prince of the Yamato dynasty – to stop a fire burning in the fields by cutting down the grass. Generations later this sword was called Kusanagi no Tsurugi. Kusanagi means to cut grass and Tsurugi means a sword.
The legendary sword Kusanagi-no-Tsurugi, which came from the tail of Yamata no Orochi, along with the Yata no Kagami, a mirror, and Yasakani no Magatama, a curved jewel, became the three sacred Imperial Regalia of Japan.
This year (2019) in Japan a new emperor acceded to the throne, and a new era was started. This era is called Reiwa. During the ceremony the three Imperial Regalia, the sword, the mirror and the curved jewel were handed down to the new emperor. These are the three gifts from God that only the emperor can own.
This myth is very important for Japanese people as it explains the beginning of Japan. The sword is a gift from god so when we use a sword, we always use it with great reverence and respect. We keep it clean and protect it. By practicing with a sword, we try to find the spirit of god. We try to protect ourselves from evil or difficulties and to cut the burning fields to find peace and purification in the world.
When Ito sensei and I were naming the Kenjutsu programme techniques I suggested we give “San-kajo” the name of “kusanagi” because of the image of cutting grass with Kusanage-no-Tsurugi.
Shintaido is a martial art, but also has other dimensions, meditative, spiritual even. It is what makes Shintaido so difficult to describe and explain. How would you describe this mix and interaction between the ‘martial’ and the ‘spiritual’ in Shintaido? Maybe there is no one answer for everyone; then what is it for you?
The purpose of martial arts or the way of the sword is to use a weapon to defeat people, but our way through Shintaido is to study the spiritual way. Martial Arts aims to use weapons to fight. The word Hei Ho 兵法 is used. This means the Strategy of War. If Hei is written differently (using another Chinese character 平) it can also mean Strategy of Peace 平法。
Hei written one way means war, another way means peace. Therefore, there are two ways of studying martial arts, the way of war and the way of peace.
There are two ways to have no enemies. One way is to kill or destroy all your enemies. The other way is to make friends with everyone.
In the sixteenth century, guns were imported into Japan from Portugal. The way of the Samurai was completely changed. All the years they had spent training no longer had any meaning. Anyone, even with little skill could easily use a gun and kill. The Samurai fought in close combat using their swords, face to face with their enemy but when guns were introduced there was no need to be close to the enemy.
So at that time the martial way divided into two different directions: one way was to develop better and better weapons – this direction has led humans to develop nuclear weapons and nuclear war. The other way was more spiritual, how to live, how to die. Meditation or Zazen became an essential practice on this path. The spiritual way of martial arts began to be developed.
Suzuki Daisetsu introduced Japanese culture and philosophy to the West. His book, “Zen Buddhism and its Influence on Japanese Culture” was published in English in 1938. This is a good book to read if you are interested in knowing more about this subject.
Carl Jung said we have to make a kind of spiritual journey. The life of a human being is a spiritual journey or pilgrimage on earth.
In Zen Buddhism, there is a story called “The Ox Herd story”. This story describes the journey to enlightenment. It reminds us that the only place we find the truth is within ourselves. The ox symbolizes the true self.
The outline of the story is
1. Seeking the ox
2. Finding the hoof marks
3. Finding the ox
4. Catching the ox
5. Taming the ox
6. Riding the ox
7. Forgetting the ox, only the man remains
8. Forgetting both ox and man
9. Returning to the beginning and going back to the source
10. Off to town, arms swinging (entering the world)
The Ox-herd story shows enlightenment to be the ordinary self-doing ordinary things in a most extraordinary way. Please find the story yourself and study it. I believe that is Hei-ho 平法.
So Shintaido as a martial art studies the second way, Hei-ho 平法, the spiritual way or ordinary way.
Kumite: When we begin kumite, we first need to release tension and get rid of unnecessary attachments. Then we can feel a new flow of energy beginning and we can start a new movement following the natural flow. Finally, we can unify with our partner and others. Even if we are studying how to cut, we are actually studying how to transform the movement to find harmony.
Meditation: Through meditation we pursue emptiness. We need emptiness in our bodies and minds in order for new things to come in. If we are full of attachments, we can’t receive new information. Meditation is very important when studying how to transform ourselves and accept energy from others.
Shintaido is a different type of Martial Art. It was established with a new concept including 3 fundamental forms: Eiko “hymn of life”, Tenshingoso “cycle of life” and Meiso Kumite (Wakame) “flow of nature, following sources of energy”.
We study how to use these three basic movements for exploring the wisdom of the great ancient masters.
Kata: Studying Kata is another important practice. Kata is the essence of the master’s wisdom which shows us a world of Shin 真 (Truth), Zen 善 (goodness), and Bi 美 ( beauty).
Through practicing Kihon, Kumite and Kata we can receive these Masters’ messages.
Shintaido has a ‘special relationship’ with nature. Could you comment on that? Is it something to do with Japanese culture? Where does it come from? We are here spending time on a beach in the middle of the winter. Why do we do that?
Practically speaking, Shintaido is a dynamic movement and needs lots of space. We also use voice and make a lot of noise. Japan is very crowded so in order not to disturb people, a beach is a good place to practice. Also, there are many places to stay near the beach so it’s easy to organise an event.
Kangeiko means cold Keiko. The reason we practice at a cold time is that when we face great nature, we realise how powerless and small we are. We try to find nature within ourselves. Through this, we can try to awaken our sleeping potential self. It is a challenge to try to get rid of our old self and find a new beginning.
Cold is fearful. We need encouragement and determination to withstand the cold. We face ourselves and our own fears. We challenge ourselves and encourage a determination to help us through difficulties. We get away from the noise and distractions of daily city life, so we can concentrate. For this reason, we like to go into deep mountains or wide beaches and unify ourselves with nature.
Mountain monks belonging to mystical Buddhism started the practice of ‘Taki Gyo’ or waterfall training over a thousand years ago. They made themselves face the fear of nature by cleansing themselves, living through an experience bringing them close to death. From this, people following martial arts have continued to challenge themselves in cold conditions.
There are two different ways of reading the word 自然 “nature” in Japanese. One is read “Shizen” and one is read “Jinen”. Shizen means nature. Jinen means existence or stillness. At kangeiko especially, we try to find the real existence, our own nature inside ourselves
I think there is also a connection with nature through Shintoism.
In Shintoism, everything in nature is a god, for example, mountains, trees, and rivers are all gods. These gods give us blessings in the form of food and happiness but they also bring disasters and crises. People fear the gods so they give offerings. They offer food from the harvests and thank the gods for protection. There are many ceremonies through the stages of life, to thank the gods for protection. There are many customs in daily life. Most houses have a shinto altar called ‘Kamidana’ where the gods who protect the house live. The first food of the day is offered to these gods. Farmers and fishermen have special ceremonies which they attend before setting out, to ask the gods for protection and abundant harvests or catches.
Shintaido is a martial art that actually helps us to relate better to others: How would you say this happens? What is it in our practice that facilitates and improves our connection and interaction with others?
Through attacking and defending techniques in kumite we can build up real communication with others. Shintaido is not a sport. It is not competitive. As there is no winner or loser, we can continue doing kumite endlessly.
In kumite, first, we have to feel the partner’s “ki” energy. We have to study how to manage time and space by reading the timing. The purpose is not fighting but understanding each other, which means unifying with others.
We need to be as pure as possible, so we need to empty ourselves. Then it is easy to give and receive freely. Through this process, we can understand each other deeply. We can find the joy of life instead of conflict. To be cut is important, this means to have your own ego cut.
There are 5 levels in the spiritual growth of martial artists: Shuchu (concentration) – Toitsu (unification) – Shinten (progression) – Seiketsu (holiness) – Rakuten (perfect liberty).
At a conference where I met the Dalai Lama, one of the head priests who was an organiser asked the Dalai Lama how to create peace in the midst of conflict.
Dalai Lama replied, “In Buddhism first we have to discard everything inside ourselves and then what is left is joy and light.” He said we should make the light shine within ourselves, then gradually spread the light to those around us, then spread the light further into society.
There is a famous saying by Saicho, a monk of the Tendai Buddhism who lived in the eighth century. He said, “Those who can shine light onto themselves and into a dark corner are a national treasure.” The Dalai Lama said the important thing is non-violence. Then I realised this is Hei Ho 平法 – the strategy of peace. I realised Shintaido is the way of peace. I think the purpose of kumite is to take yourself to zero and with a partner spread joy and happiness. Then there is a connection with Hikari to tawamureru. This is the Keiko I would like to do with everyone.
You mentioned earlier that Kangeiko is also the opportunity to clean up the past and to be open to new things in the new year. Could you say a little more on that, on where this coming from, on the mindset of going from one year to the other in the Japanese culture maybe?
Shinto incorporates purification rituals called “Oharai” and Shintaido draws from many of these cutting movements. Oharai is a movement performed by Shinto priests when they want to clean the space, call the spirits and calm them. It is also used to show gratitude to ancestors or spirits. It is like the Shintaido movement Kiri harai.
Before New Year everybody cleans up their lives. This means paying off all debts and returning borrowed money, it means doing a big clean in the house so there is no dirt or dust anywhere. People cook lots of special food to offer to the gods, and also so they can rest and enjoy the first few days of the New Year without cooking. Many guests come to visit and special food is offered.
At New Year we refresh our old selves and go back to the original beginner’s mind. Then we celebrate the coming year and ask for health and happiness.
In Japan, at about 11.45 pm people gather at local temples and join in striking the temple bell 108 times. This represents humans’ 108 sins. So, by striking the bell we ask to be cleansed. Then we gather at a wide place and wait for the rising sun to appear on the horizon. This is why beaches and mountains are good places to gather.
Kangeiko is the traditional ceremony of the Keiko world held at the beginning of the year.
And to conclude, maybe you could tell us your own definition of Daiwa (if you have not yet done this before the interview), what does it mean to you, today, now, halfway through this Kangeiko?
My own definition of Daiwa is expressed in the diamond eight cut which crystallises my 50 years of practicing Shintaido.
First, I wondered how I could explain or introduce the meaning of cutting with a sword to westerners. I wanted to explain it was not about hurting or killing people. I struggled for a long time.
In Kenjutsu there is an expression “Satsu Jin Ken” which means killing sword. There is also an expression “Katsu Jin Ken” which means liberating sword. If you don’t cut seriously with the feeling of Satsu Jin Ken then you can’t get to the liberating cut of Katsu Jin Ken.
The final expression is “Ka-Satzu Jizai”
Jizai means self-being or freedom. This means Satsu and Katsu cutting are both the same, there is no duality between them. If there is no duality between the Katsu and Satsu cuts then you have achieved the freedom of Ka Satsu Jizai. This is the goal of Kenjutsu.
I think that Tenshinken sets a goal for Shintaido Kenjutsu.
It is very hard to teach how to cut and also how to be cut with “Tenshinken” feeling (Ichi ka jo or Kirioroshi no kumite). It is a liberating cut that I have experienced from my master, and I have been thinking about how to transmit this feeling for a very very long time. Tenshinken means universal truth or heavenly truth.
While I was researching Tenshingoso Arrangements I visualised the 5 elements which are air, fire, water, wind, and earth. I could embody four elements but I couldn’t embody the fifth element ‘fire’. It was very difficult. During meditation in “Kon go I” mudra suddenly I understood how to show fire.
This was the meeting of Tenso and Shoko, like striking flints to make fire. The direction of ki energy in Tenso is rising, and the direction of ki energy of Shoko is coming down and forward, so together the movements are like striking flints together. While doing the tenso movement I experienced the feeling of receiving grace from heaven and that light penetrated me. It met the light inside me and made a spark. That position is Shoko or “Kon Go I” (the diamond mudra). Suddenly Tenshingoso, Eiko, and Wakame were all crystallised into the kata of Diamond Eight.
Fire can burn up everything to create diamonds or crystal so cutting using that sword means burning out all unnecessary things to make ourselves like shining crystal. This is why I called the movement Diamond.
There are eight cuts but also eight means infinity. The more cuts, the more a diamond will shine. If we continue doing many cuts, we will be led to Hikari to tawamureru.
All my martial techniques and all spiritual experiences and learning are unified in this movement. I understood that even people who cannot move well can do this by inner movement or image work.
Notes
* Master Minagawa is giving here a simplified version of the myth for the purpose of his conférence. For a more detailed presentation, you may usefully refer to the Yamata no Orochi Wikipedia page.
** About the legendary Kusanagi-no-Tsurugi sword, please refer to the Kusanagi Wikipedia page.
Coming under one roof – Gasshuku in Quebec City, Canada
September 2022
by Connie Borden
From 16 September to 18 September 2022, fourteen of us gathered in Quebec City, Canada for a Gasshuku. Now that it has ended, we have returned home with a sense of enrichment. Here are some impressions and remembrances.
First Carole and Herve as the organizers did the preparations of planning the Gasshuku with Rob Gaston, myself, and Ito sensei. We heard from people in California, Vermont, Florida, and Washington D.C. who planned to attend. Seven people planned to attend from Quebec. Ito Sensei and Nicole Beauvois were to travel from their new home in France. With both excitement and trepidation, we committed ourselves to this adventure and started our travels by plane, and by car. The Gasshuku was going to happen!
We arrived in Quebec City to the hospitality of Herve who housed many of us and provided the evening dinners and gatherings. Ito Sensei started Friday morning with a study of Muso-I, the stage of “Non-Phenomenon”. Followed by Ki-ichi-I the stage of “Returning Oneness.” Ito sensei mentioned these poses have been his major study over the preceding year and shared his deep reflections.
Friday afternoon, Ito Sensei provided advanced instruction on the roots of Taimyo from three Karate kata, Meikyo, Hangetsu and Kanku. Mark Bannon and Chris Ikeda-Nash demonstrated their knowledge of these three kata. Then, Ito sensei lead us through the movements linked to Taimyo.
Ito spoke of Kan-Ki, the sequence at the beginning of Taimyo as viewing Universal “Qi” energy.
Reppaku are the layers of energy, much like the movement of oceans waves. Sai-Zan is to break through the mountains to provide support even during a retreat. Ito spoke of Aoki-sensei’s inspiration for Taimyo Part 1 coming from symphony #9 written by Beethoven, Kan-Ki “Ode to Joy.”
We finished the morning and afternoon keikos with Taimyo meditation. People expressed feelings of interconnectedness with others and nature, and feelings of expansion and extending beyond their skins. Ito sensei described the floating feeling of the meditation grounded by the kata to keep connection with the earth.
Saturday morning keiko was taught by Rob Gaston. He focused on Kiri-o-roshi kumite. He led us to open ourselves with our partner to the beginning stages of “Ah”. Gradually we opened our partners and ourselves to Ten and then slowly cut Shoko.
Ito Sensei stressed the importance of continually moving from the very start of Kiri-o-roshi and at first, stepping back to pull our partner into ourselves, followed by reaching Tenso higher and higher to cut over and beyond our partner.
In the afternoon, Connie Borden reviewed Diamond eight Kaishoken (open hand) to focus on the three connecting cuts of Chudan Kiri Harai, Gedan Kiri Harai, and Jodan Kiri Harai. This was followed by practice of cutting one person as the target, holding center, while people practicing the precision of the cut while moving in a line. The opportunity to practice in pairs using the full gym for Eiko Dai no Kumite (open hand) was then offered. Ito sensei lead the group in Eiko Dai no Kumite with Boktoh. The Quebecois faced the Americans from opposite ends of the gym and practicing cutting large groups of people.
Ito sensei did a special request keiko on Saturday to review Kasumi and then Aikiken. In this advanced kumitachi, he taught Daijodan Kirikomi or Kiroroshi versus Kasumi and then Daijodan Kirikomi or Kirioroshi versus Aiki-Ken. He then taught the four stages with Renki-kumite.
Sunday morning Rob Gaston taught Boktoh to deepen our concentration through the drawing technique, stepping and turning. Then, he taught wakame to receive jodan and daijodan (both open hand) and this was repeated by many pairs.
Tenshingoso Dai concluded the morning keiko.
Connie Borden followed with teaching to receive dai jodan and jodan with boktoh while keeping wakame feeling. One side first did dai jodan with boktoh while to other side received into their body using wakame. This progressed to standard kumite of both partners cutting simultaneously dai jodan and jodan.
Ito sensei finished the Sunday keiko by asking Carol and Denis to demonstrate three cuts from Shintaido Kenjutsu. The basic Kyu-ka-jo Kumitachi with three cuts of Jodan-Kirikomi-Chudan Kirikomi-Gedan Kirikomi showing them as one cut with 3 movements. The second round was Chudan-tzuki- Jodan Tzuki and Jodan-Kiriharai again as one count with 3 movements.
Here is a list of various impressions from people who attended the gasshuku:
We made deeper connections with one another
Felt open further than before (Chris Ikeda- Nash)
Recommitted to practicing boktoh (Melanie Marin)
Expressed gratitude to being in community
Love of practicing Shintaido and remembering why he started 30 years ago ( Dany Simard)
Enjoyed the experience of being in a group to see the movements to help refine their stepping
Learning to allow the boktoh to lead the cut
Body movement speaking louder than words
Joyous
Many smiles
Arrived at a deep emotional shared space/connection that transcended words.
Felt many emotions of love, sorrow, happiness, and sadness without the desire to block the emotions.
Here is Denis’s impression:
He felt a beautiful sharing of emotions during the weekend. The energy that flowed between the participants was a connection that allowed him to communicate without worrying too much about the language spoken.
As Maya Angelou said
“I’ve learned that people will forget what you said, people will forget what you did, but people will never forget how you made them feel”
Ito sensei spoke during the closing ceremony of his gratitude to Carole and Denis and their dojo. He presented them with a framed calligraphy for their dojo. This is a name that Ito Sensei created specifically for their dojo.
The name of the building:
Tai-Kan-Do >>> 大観堂 >>> the Hall of the Great OverLook
Calligraphy:
Tai-Kan >>> 大観(体感)>>> Great Overlook/Great Overview/Great Anticipation (Bodily Sensation)
Carole and Denis expressed this: We are moved and honored that Ito Sensei came to our dojo in 2021 and that he also gave us a name for this dojo. It is thanks to him that we have built it, because it is following his invitation to travel to Japan and our attraction to the practice with the sword that we had the energy to build it. We feel a lot of gratitude towards him.
Everyone in attendance gave thanks and gratitude to the organizers – Carole, Herve, and Melanie. We also remembered Anne Marie and her love of Shintaido. With the closing ceremony complete, we returned to our homes more enriched, more open, and more human.
Feelings of Grief
by Connie Borden, 9 March 2022
en français ci-dessous / 以下日本語で
Introduction
Tomi Nagai-Rothe and Connie Borden, both Shintaido Instructors, are also active with HF Ito, Sarah Baker, Rob Gaston and many others in the Global Taimyo Community (GTC). GTC formed after September 11 in 2001 and re-formed on the 20th anniversary in 2021. GTC believes that Taimyo Kata can function like a ritual form through which we can search and/or heal our inner world as well create better relationships with our outer world — including neighbors, community, and Nature.
This is the second of two articles written for the 2022 gatherings on the theme of Kintsugi (金継ぎ, “golden joinery”), also known as kintsukuroi (金繕い, “golden repair”). Mending is one way to transform objects and ourselves. Yet before we can mend or make amends, we need to feel the brokenness fully, be it a personal weakness or the violence of war. Deeply feeling the brokenness is a personal responsibility and a collective responsibility that is painful and necessary.
These articles were written to help open conversations. Our hope is to create a brave space rather than a “safe space.” The keiko analogy would be a perspective-altering kirioroshi kumite as opposed to an enjoyable keiko where you leave the same way as you arrived. It’s not that we feel unsafe in an incredible kirioroshi kumite – quite the contrary – we feel so safe with our partner that we can open ourselves to them.
Please reflect and share your comments on these articles being shared with the Shintaido audience via Body Dialogue.
My understanding of feelings of grief and loss stem from my experience working in the hospice field starting in 1994 and the death of my father in 1998. Later my professional experience expanded into palliative and hospice care.
Each person is different, and feelings of grief can vary in intensity. Feelings of grief and grieving can be cyclical. This process can often feel like one step forward and two steps back. Anniversaries and special occasions can bring back these feelings of grief.
Photo by Cynthia Derosier
What have I experienced? The first step was becoming vulnerable enough to experience these emotions. It’s much easier to deflect and deny them. Due to our fear of being controlled by our emotions, it is common to hide these feelings. My own experience at my father’s death was numbness. I recall seeing a poster showing faces of 32 emotions. I could only identify two or three of the emotions at that time. I was that numb. Over time through therapy and doing more Shintaido, I could also experience anger, sadness and gradually remembering more of the many facets of my father’s life.
Perhaps you remember something similar? Perhaps you too can recall the impact of opening your hands, opening your body and then opening your mind through Shintaido movements? And did you wonder what was happening? I believe these movements of raising our arms overhead, opening the center of our body and using our voices can result in feelings of vulnerability.
How did I experience doing some of these movements? The first was centering, finding where I feel my emotions, where I hold tension, where I block to avoid joining with others. One way to center is the seated, rocking motion where we rock from one hip to the other hip. Rocking itself is soothing. Rocking side to side draws our attention to where the center of our being is and when we are off center. Being centered, I could be aware of my emotions, thoughts and feelings. Another movement was raising my arms overhead and relaxing to allow my partner to cut me during Tenshingoso kumite. As I opened my arms overhead, leaned backwards from my center and received the overhead cut, I found my center – often the heart area – being opened. This life exchange of energy through kirioroshi kumite can be supportive as each person is cut and then cuts their partner. When I opened and was cut, I was then softer and more receptive to the energies of the environment. This cathartic type of movement allowed me to cry. Early in my practice at gasshukus amongst the beautiful, strong, enduring redwood trees. I would find myself crying and hugging the redwood trees. At another gasshuku on Ocean Beach with sand below my feet, I found myself crying when being cut and rolled. Over time these reactions to being opened during practice have been less startling, and more familiar so I can say “Oh this is happening again, what can I learn from this?”
Photo by Tomi Nagai-Rothe
Death is one of the most obvious reasons for grief. What else might constitute times of grief from loss? Sometimes it comes with the diagnosis of a medical condition that results in loss of physical mobility. At other times it might be from a change in a significant relationship with resulting feelings of loss of a promised future. A job loss, change in a living situation or a loss of income are others. Even what we consider to be happy events – a child’s high school graduation or a marriage – can bring tears that are a mixture of happiness and sadness. These emotions seem to reflect a clear demarcation of a change we are experiencing from one state of being to another state of being.
What are some ways people can begin to acknowledge feelings? For some it is focused talk therapy, for others journaling, for others listening to music, and for others doing art, gardening, or body movement. Where and how to acknowledge feelings with others is also critical. Where and how require a space that provides love and is non-judgmental. One of the common experiences for a person who has had a recent event such as death is they report that people grow tired of hearing about their loss. Some people find it helpful to join a focused support group on loss, such as a bereavement group. For others, the sacred space of a dojo provides the place to explore and acknowledge feelings, thoughts and emotions.
Suffering is present for us all. I am reminded of the saying “be gentle with others, you do not know what they are experiencing.” To open and be aware of one’s emotions including grief, anger, and sadness, is the first step. Sharing with others as a next step keeps us human and open. These upcoming Global Taimyo Community gatherings can be one place to practice vulnerability. Our gatherings can be a place to gather, to build peace within ourselves and to support each other by being in community. Our gatherings can be a community to foster mending and finding ourselves more human.
Les sentiments de deuil
par Connie Borden
9 mars 2022
Ma compréhension des sentiments de deuil et de perte provient de mon expérience de travail dans le domaine des soins palliatifs depuis 1994 et du décès de mon père en 1998. Plus tard, mon expérience professionnelle s’est étendue aux soins palliatifs et aux soins en hospice.
Chaque personne est différente, et les sentiments de deuil peuvent varier en intensité. Les sentiments de chagrin et de deuil peuvent être cycliques. Ce processus peut souvent donner l’impression d’un pas en avant et de deux pas en arrière. Les anniversaires et les occasions spéciales peuvent faire resurgir ces sentiments de deuil.
Qu’est-ce que j’ai vécu ? La première étape a été de devenir suffisamment vulnérable pour vivre ces émotions. Il est beaucoup plus facile de les détourner et de les nier. Par peur d’être contrôlé par nos émotions, il est courant de cacher ces sentiments. Lors du décès de mon père, j’ai moi-même ressenti un engourdissement. Je me souviens avoir vu une affiche montrant les visages de 32 émotions. Je ne pouvais identifier que deux ou trois de ces émotions à ce moment-là. J’étais à ce point engourdie. Avec le temps, grâce à la thérapie et à la pratique du Shintaido, j’ai pu ressentir de la colère, de la tristesse et, progressivement, me souvenir des nombreuses facettes de la vie de mon père.
Peut-être vous souvenez-vous de quelque chose de similaire ? Peut-être vous souvenez-vous aussi de l’impact de l’ouverture des mains, de l’ouverture du corps et de l’ouverture de l’esprit par les mouvements du Shintaido ? Et vous êtes-vous demandé ce qui se passait ? Je crois que ces mouvements consistant à lever les bras au-dessus de la tête, à ouvrir le centre de notre corps et à utiliser notre voix peuvent entraîner des sentiments de vulnérabilité.
Comment ai-je vécu l’exécution de certains de ces mouvements ? Tout d’abord, en me centrant, en trouvant où je ressens mes émotions, où je maintiens des tensions, où je bloque pour éviter de me joindre aux autres. L’une des façons de se centrer est le mouvement de balancement assis, où l’on se balance d’une hanche à l’autre. Le balancement en soi est apaisant. Se balancer d’un côté à l’autre attire notre attention sur l’endroit où se trouve le centre de notre être et sur les moments où nous sommes décentrés. En étant centrée, je pouvais être consciente de mes émotions, de mes pensées et de mes sentiments. Un autre mouvement consistait à lever les bras au-dessus de ma tête et à me détendre pour permettre à mon partenaire de me couper pendant le Tenshingoso kumite. Lorsque j’ouvrais les bras au-dessus de ma tête, que je me penchais vers l’arrière à partir de mon centre et que je recevais la coupe au-dessus de ma tête, je découvrais que mon centre – souvent la région du cœur – était ouvert. Cet échange d’énergie vitale à travers le kumite kirioroshi peut être un soutien car chaque personne est coupée et coupe ensuite son partenaire. Lorsque je me suis ouverte et que j’ai été coupée, j’étais alors plus douce et plus réceptive aux énergies de l’environnement. Ce type de mouvement cathartique m’a permis de pleurer. Au début de ma pratique à Gasshukus, parmi les beaux, forts et durables séquoias. Je me surprenais à pleurer et à étreindre les séquoias. Dans un autre gasshuku sur Ocean Beach, avec du sable sous les pieds, je me suis retrouvée à pleurer quand on me coupait et me roulait. Au fil du temps, ces réactions à l’ouverture pendant la pratique sont devenues moins surprenantes et plus familières, ce qui me permet de dire : “Oh, cela se reproduit, qu’est-ce que je peux apprendre de cela ?”.
La mort est l’une des raisons les plus évidentes du deuil. Qu’est-ce qui pourrait constituer d’autres moments de deuil à cause d’une perte ? Parfois, il s’agit du diagnostic d’un problème médical qui entraîne une perte de mobilité physique. Dans d’autres cas, il peut s’agir d’un changement dans une relation importante, qui entraîne un sentiment de perte d’un avenir promis. Une perte d’emploi, un changement dans les conditions de vie ou une perte de revenus en sont d’autres. Même ce que nous considérons comme des événements heureux – l’obtention du diplôme d’études secondaires d’un enfant ou un mariage – peut provoquer des larmes qui sont un mélange de de bonheur et de tristesse. Ces émotions semblent refléter une démarcation claire d’un changement que nous vivons d’un état d’être à un autre état d’être.
De quelle manière les gens peuvent-ils commencer à reconnaître leurs sentiments ? Pour certains, il s’agit d’une thérapie par la parole, pour d’autres de la tenue d’un journal, pour d’autres encore d’écouter de la musique, et pour d’autres de faire de l’art, du jardinage ou des mouvements corporels. Le lieu et la manière de reconnaître ses sentiments avec les autres sont également essentiels. L’endroit et la manière nécessitent un espace qui offre de l’amour et ne porte pas de jugement. L’une des expériences les plus courantes pour une personne qui a vécu un événement récent comme un décès est que les gens se lassent d’entendre parler de leur perte. Certaines personnes trouvent utile de se joindre à un groupe de soutien axé sur la perte, comme un groupe de soutien aux personnes en deuil. Pour d’autres, l’espace sacré d’un dojo permet d’explorer et de reconnaître les sentiments, les pensées et les émotions.
La souffrance est présente pour nous tous. Je me souviens du dicton “soyez doux avec les autres, vous ne savez pas ce qu’ils vivent”. S’ouvrir et prendre conscience de ses émotions, y compris le chagrin, la colère et la tristesse, est la première étape. L’étape suivante consiste à partager avec les autres, ce qui nous permet de rester humains et ouverts. Les prochains rassemblements de la communauté mondiale Taimyo peuvent être un lieu de pratique de la vulnérabilité. Nos rencontres peuvent être un lieu de rassemblement, pour construire la paix en nous-mêmes et pour nous soutenir mutuellement en étant en communauté. Nos rassemblements peuvent être une communauté qui favorise la réparation et la découverte de notre humanité.
悲しみの感情
コニー・ボーデン著
2022年3月9日
悲しみや喪失感についての私の理解は、1994年からホスピスで働いた経験と、1998年の父の死からきています。その後、私の職業経験は緩和ケアとホスピスケアに広がりました。
人はそれぞれ異なり、悲しみの感情も強弱があります。悲しみの感情や悲嘆は循環していることがあります。このプロセスは、しばしば一歩進んで二歩下がるように感じられることがあります。記念日や特別な日には、このような悲しみの感情がよみがえることがあります。
私は何を経験したのでしょうか。最初のステップは、このような感情を経験できるほど無防備になることでした。そのような感情を無視したり、否定したりするのはずっと簡単なことです。感情に支配されることへの恐れから、これらの感情を隠すことはよくあることです。私自身、父の死後は無感覚でした。私は、32の感情の顔を示すポスターを見たことを思い出します。その時、私はその中の2つか3つの感情しか認識することができませんでした。それほど無感覚だったのです。やがて、セラピーや新体道を通じて、怒りや悲しみも経験できるようになり、次第に父の人生のさまざまな面を思い出すようになりました。
おそらく、あなたは同じような何かを覚えていますか?あなたも、新体道の動きによって、手を開き、体を開き、そして心を開くことの衝撃を思い出すことができるのではないでしょうか?そして、何が起こっているのか不思議に思いませんでしたか?私は、両手を上げ、体の中心を開き、声を出すという動作は、結果的に弱さを感じさせることになると考えています。
これらの動作のいくつかを行ってみて、私はどうだったでしょうか。まず、自分の感情をどこで感じているか、どこで緊張しているか、どこで他人と一緒にならないようにブロックしているかを見つける、センタリングでした。センタリングする方法のひとつに、座って片方の腰からもう片方の腰へ揺らす動きがあります。揺れること自体が癒しになります。左右に揺らすと、私たちの存在の中心がどこにあるのか、そしていつ中心から外れているのかに注意を向けることができます。中心があることで、私は自分の感情や思考、感覚に気づくことができました。もう一つの動きは、天真御祖組手において、パートナーが私を切るために腕を頭上に上げ、力を抜いたことである。両手を頭上に広げ、自分の中心から後方に傾き、頭上で切り込みを受けると、自分の中心(多くの場合、心臓のあたり)が開かれるのが分かりました。切落し組手を通してのこのような生命のエネルギーの交換は、各人が切られ、そして相手を切るというように、支え合うことができる。自分が開き、切られることで、より柔らかく、より環境のエネルギーを受け入れることができるのです。このカタルシス的な動きによって、私は泣くことができたのです。合宿所での練習の初期、美しく、強く、耐久性のあるレッドウッドの木々の中で、私は泣いていました。私は泣きながらアカギの木を抱きしめていました。また、オーシャンビーチにある合宿所では、足元に砂が広がる中、切り返されたり、転がされたりしているうちに涙があふれてきました。時間が経つにつれて、練習中に開かれたときのこれらの反応は、驚くようなものではなく、より身近なものになってきました。
死は、悲しみの最も明白な理由の一つです。では、喪失感からくる悲しみは、他にどのようなものがあるでしょうか。あるときは、病気が診断され、その結果、体が動かなくなることです。また、ある時は、重要な人間関係が変化し、約束された未来を失ったという喪失感から来るかもしれません。失業、生活環境の変化、収入の減少などもあります。子供の高校卒業や結婚など、私たちが幸せだと思う出来事でさえ、さまざまな感情が入り混じった涙を流すことがあります。
写真提供:トミ・ナガイ=ローテ
幸せと悲しみが入り混じった涙。これらの感情は、ある状態から別の状態への変化を明確に区分して反映しているように思います。
感情を認めるために、どのような方法があるのでしょうか。ある人はトークセラピーに集中し、ある人は日記を書き、ある人は音楽を聴き、ある人はアートやガーデニング、体の動かし方をします。どこで、どのように他の人と感情を認め合うかも重要です。どこで、どのようにするかというと、愛と偏見のない空間が必要です。死のような最近の出来事を経験した人に共通することのひとつは、人々が自分の喪失について聞くのにうんざりしてしまうという報告です。死別のグループなど、喪失に焦点を当てた支援グループに参加することが役に立つと感じる人もいます。また、道場の神聖な空間は、気持ち、考え、感情を探求し、認める場を提供してくれる。
苦しみは誰にでもあるものです。私は、”他人を思いやること、その人が何を経験しているかわからない “という言葉を思い出します。悲しみや怒り、喜びなど、自分の感情を開いて自覚することが、最初のステップです。次のステップとして、他者と分かち合うことで、私たちは人間らしく、オープンであり続けることができるのです。このグローバルタイミョーコミュニティーの集まりは、脆弱性を実践する一つの場となり得る。私たちの集まりは、自分自身の中に平和を築き、コミュニティに参加することでお互いをサポートする場となりえます。私たちの集まりは、修復を促進し、より人間らしい自分を見つけるためのコミュニティとなり得るのです。
Re-Connecting What is broken
by Tomi Nagai-Rothe
en français ci-dessous / 以下日本語で
Introduction
Tomi Nagai-Rothe and Connie Borden, both Shintaido Instructors, are also active with HF Ito, Sarah Baker, Rob Gaston and many others in the Global Taimyo Community (GTC). GTC formed after September 11 in 2001 and re-formed on the 20 th anniversary in 2021. GTC believes that Taimyo Kata can function like a ritual form through which we can search and/or heal our inner world as well create better relationships with our outer world — including neighbors, community, and Nature.
This is the first of two articles written for the 2022 gatherings on the theme of Kintsugi (金継ぎ, “golden joinery”), also known as kintsukuroi (金繕い, “golden repair”). Mending is one way to transform objects and ourselves. Yet before we can mend or make amends, we need to feel the brokenness fully, be it a personal weakness or the violence of war. Deeply feeling the brokenness is a personal responsibility and a collective responsibility
that is painful and necessary.
These articles were written to help open conversations. Our hope is to create a brave space rather than a “safe space.” The keiko analogy would be a perspective-altering kirioroshi kumite as opposed to an enjoyable keiko where you leave the same way as you arrived. It’s not that we feel unsafe in an incredible kirioroshi kumite – quite the contrary – we feel so safe with our partner that we can open ourselves to them.
Please reflect and share your comments on these articles being shared with the Shintaido audience via Body Dialogue.
Preface
I spent the Covid period wondering how to bridge the gaps of physical and social separation — from differences in vaccination status and masking, to beliefs about climate change, to warfare in many parts of the world, to the war being waged against Black and Brown people on the streets of Turtle Island (the USA).
I am an activist by nature and have been working for positive change since age 12. Over the past two years I spent time co-organizing Black Lives Matter car caravans, examining my city’s decision to cut a position at the public library while the police department was asking for more than three times that amount in new patrol cars, and writing about the need to support our local indigenous tribe’s request that all settlers pay an honorary land tax to support the reclamation of their stolen land.
And yet, it felt like more was needed. Not more of the same, but activism on another level. I am not one to only pray and practice Taimyo, so I have started working with Ito’s practice of creating peace by being more peaceful, combined with the concept of radical self-responsibility. Though it is still very much a work in progress, I think of this as a form of spiritual activism. This article is my current thinking about using Taimyo and other tools for spiritual activism – in pursuit of peace.
My family defines peace as actively building connections among people, animals, and the natural world. We feel that those connections foster safety, healing, and growth. We host Peace Potlucks to bring together our community, and my extended family lives together in a place we call Pear Tree Village as an example of sustainable co-living and daily connection (our pear tree and tree house are pictured above).
In Shintaido and Life Exercise* , we similarly invest in creating deep connections (Ma 間 = space) with our partners and others with whom we are practicing. We value and foster these connections in and outside of the dojo, including via Zoom. Every evaluation and examination I’ve taken looked deeply into my connection with my partner and whether I affected them positively. As instructors, our goal is to create a unified experience through our gorei (instruction). The North Star** of our practice is trying to embody Ten-chi-jin-ware-ittai — the unification of ourselves, society, heaven and earth: the ultimate form of connection.
Taking this principle past the dojo and into our lives can be both intriguing and very challenging because our practice can’t just be about people we like or with whom we make easy connections. For example, I can’t go to keiko and decide who I will or won’t have as a kumite partner. I need to bow to the next person, whoever that is, and start building that kumite relationship immediately.
The importance of taking our practice beyond the dojo is illustrated in the five step process:
Nuke Nobi Kiki Sae Jizai
抜け 〜 伸び 〜 利き 〜 冴え 〜 自在
release expansion effectiveness clarity freedom
(my translation)
Ito explained that one way to understand this is through our practice:
Warm-ups Break out Kihon Kumite Our keiko and life outside the dojo
In the bigger world our keiko becomes real and hard when we understand the need to do kumite with people we dislike – or even fear and hate – if we want to create positive change in the world. When I say “do kumite” I mean, energetically and imaginatively interacting with them – not necessarily confronting them in real life. Even this imaginary encounter can be very difficult.
I believe this means using our practice to grow and attempt to get beyond the natural tendency to take sides, e.g. “I disagree with these people so they must be wrong.” There is much written about how divisive and violent public life has become – even to the point of warfare. So where do we, as articipants in the Global Taimyo Network, start if we really want to nudge the world toward reconnecting broken connections and peace?
A great example from Shintaido is the sagari iirimi practice that Ito calls, “Welcome, this way please.” You can see it in this 7 second video. In the kumite we reach out as an opponent steps toward us, as if opening our front door. We open the door and draw them toward and beside us. Both of us end up facing the same direction: seeing the world from a similar vantage point. When Ito teaches this he makes the point that when we face one another we are looking in different directions, i.e. I am looking west while my partner is looking east. In contrast, taking the effort to see the same landscape from the same direction is, at the very least, a place to begin building understanding and connection.
My personal belief is that I first need to model this – to dig deep and do energetic kumite with those I really would rather avoid – if I want the world around me to change.
Jennifer McLean – teacher and international prayer leader – believes that holding a negative thought about someone can hold them in a negative pattern. Multiplied by thousands or millions of people it can become a real negative force. You may not believe this example, but in the Global Taimyo Community we practice the inverse – doing Taimyo Kata and holding people and the planet in peace. So couldn’t the same be true in the negative form?
I am really taken with the story of Dr. Hew Len and his work at the Hawaii State Hospital in the high security ward for the criminally insane. The staff and patient environment was extremely chaotic when he arrived.
He spent four years at the hospital, full-time, occasionally reviewing patient files but mostly doing a continual Hawaiian Ho’oponono prayer. Almost all patients improved and were discharged and the staff dynamic improved greatly. The ward closed after four years due to lack of patients. Whether or not you believe this shift came about as a result of Dr. Len’s prayers, the idea of creating this type of change through the Global Taimyo Community is really intriguing to me.
If you are open to trying out this approach, I think there are several ways to practice this inward-outward reconnection:
- Imagine a person (or group of people) on a different “side” than you are. This could be a social, cultural or political issue or just someone you dislike or fear – living or dead. Hold them far from you at a safe distance and spend time being curious about their childhood and formative years, their hurts and fears, and their basic needs. How does this feel standing across from them in your imagination?
- For someone less threatening, imagine you are doing the “Welcome, this way please” kumite with them. What do you both see, facing the same direction? How does that feel?
- If either of these is too difficult, ask yourself, ” If I could do it, what might it feel like?”
Jennifer McLean has shared an adaptation of the traditional Hawaiian Ho’oponono reconciliation and forgiveness process*** in the form of a guide prayer/meditation. It is a healing approach that simultaneously addresses those we fear or hate, and the unacknowledged parts of ourselves that those people trigger. It is a longer version of what I have outlined above. You have probably encountered other forms of prayer, meditation and healing that function in this way.
Regardless of the approach, I think all of them require grounding in one’s own safe space with support from friends and family. Pear Tree Village is one source of support for me to do this connection work, along with spiritual friends in the Friends (Quaker) community. For Buddhists this community is found in the sangha, for churchgoers it is the fellowship. Whether you follow a faith tradition or find your grounding in Shintaido, my hope is that we can support one another in the Global Taimyo Community as we follow the path of peace together.
* A term created by Lee Seaman and H.F. Ito to describe the combination of Yokikei Shintaido – including Taimyo Kata – and Tai Chi
that Ito uses in his teaching.
** North Star – Many non-governmental organizations and individuals in Turtle Island (USA) use this term to indicate their ultimate destination and vision. It comes from the work of abolitionist Harriet Tubman who led enslaved people to freedom, traveling at night and navigating by the light of the North Star.
*** Listen to the adapted Ho’oponono prayer here in full: https://www.annualprayercircle.com/pc-listening-salon-2022
Scroll down to March 2022 (1:24:40-1:00:04 on the countdown timer – 24.5 minutes).
Radical self-responsibility
https://www.onewithnow.com/radical-responsibility/
Spiritual activism https://en.wikipedia.org/wiki/Spiritual_activism#:~:text=Spiritual%20activism%20is%20a%20practice,the%20material%20or%20physical%20world
7 second video
https://www.youtube.com/watch?v=E9ioXFcB6iA
Annual prayer circle
https://www.annualprayercircle.com/pc-listening-salon-2022
Français
Préface
J’ai passé la période du Covid à me demander comment combler les écarts de séparation physique et sociale des différences de statut vaccinal et de masquage aux croyances sur le changement climatique, en passant par les guerres dans de nombreuses régions du monde et la guerre menée contre les Noirs et les Marrons dans les rues de Turtle Island (États-Unis).
Je suis un activiste par nature et je travaille pour un changement positif depuis l’âge de 12 ans. Au cours des deux dernières années, j’ai passé du temps à coorganiser des caravanes Black Lives Matter, à examiner la décision de ma ville de supprimer un poste à la bibliothèque publique alors que le service de police demandait plus de trois fois ce montant pour de nouvelles voitures de patrouille, et à écrire sur la nécessité de soutenir la demande de notre tribu indigène locale, qui souhaite que tous les colons paient une taxe foncière honoraire pour soutenir la récupération de leurs terres volées.
Et pourtant, j’avais l’impression qu’il fallait faire plus. Pas plus de la même chose, mais de l’activisme à un autre niveau. Je ne suis pas de ceux qui se contentent de prier et de pratiquer le Taimyo, j’ai donc commencé à trravailler avec la pratique d’Ito qui consiste à créer la paix en étant plus pacifique, combinée au concept d’auto-responsabilité radicale. Bien que ce soit encore un travail en cours, je considère cela comme une forme d’activisme spirituel. Cet article présente mes réflexions actuelles sur l’utilisation du Taimyo et d’autres outils d’activisme spirituel – dans la poursuite de la paix.
Ma famille définit la paix comme la création active de liens entre les personnes, les animaux et le monde naturel. Nous pensons que ces liens favorisent la sécurité, la guérison et la croissance. Nous organisons des “Peace Potlucks” pour rassembler notre communauté et ma famille élargie vit ensemble dans un endroit que nous appelons le “Pear Tree Village” (village des poiriers), un exemple de coexistence durable et de connexion quotidienne (notre poirier et notre cabane dans les arbres sont illustrés ci-dessus).
Dans le Shintaido et les exercices de vie, nous investissons de la même manière dans la création de connexions profondes (Ma 間 = espace) avec nos partenaires et les autres personnes avec lesquelles nous pratiquons. Nous valorisons et encourageons ces connexions à l’intérieur et à l’extérieur du dojo, y compris via Zoom. Toutes les évaluations et tous les examens que j’ai passés ont examiné en profondeur ma connexion avec mon partenaire et ont cherché à savoir si j’avais un effet positif sur lui. En tant qu’instructeurs, notre objectif est de créer une expérience unifiée à travers notre gorei (enseignement). L’étoile polaire de notre pratique consiste à essayer d’incarner le Ten-chi-jin-ware-ittai – l’unification de nous-mêmes, de la société, du ciel et de la terre : la forme ultime de connexion.
Transposer ce principe au-delà du dojo et dans nos vies peut être à la fois fascinant et très difficile, car notre pratique ne peut pas se limiter aux personnes que nous aimons ou avec lesquelles nous établissons facilement des liens. Par exemple, je ne peux pas aller au keiko et décider qui sera ou ne sera pas mon partenaire de kumite. Je dois m’incliner devant la personne suivante, quelle qu’elle soit, et commencer immédiatement à construire cette relation de kumité.
L’importance d’amener notre pratique au-delà du dojo est illustrée par le processus en cinq étapes:
Nuke Nobi Kiki Sae Jizai
抜け 〜 伸び 〜 利き 〜 冴え 〜 自在
libération expansion efficacité clarté liberté
(ma traduction)
Ito a expliqué que l’une des façons de comprendre cela est à travers notre pratique:
Échauffements Break out Kihon Kumite Notre keiko et la vie en dehors du dojo.
Dans le grand monde, notre keiko devient réel et difficile lorsque nous comprenons la nécessité de faire du kumite avec des personnes que nous n’aimons pas – ou même que nous craignons et détestons – si nous voulons créer un changement positif dans le monde. Quand je dis “faire du kumite”, je veux dire interagir énergétiquement et imaginairement avec eux – sans nécessairement les affronter dans la vie réelle. Même cette rencontre imaginaire peut être très difficile.
Je crois que cela signifie utiliser notre pratique pour grandir et tenter de dépasser la tendance naturelle à prendre parti, par exemple : “Je ne suis pas d’accord avec ces gens, donc ils doivent avoir tort.” Il y a beaucoup d’écrits sur la façon dont la vie publique est devenue divisée et violente – jusqu’à la guerre. Alors, par où commençons-nous, en tant que participants au Réseau Global Taimyo, si nous voulons vraiment pousser le monde vers la reconnexion des liens brisés et la paix ?
Un excellent exemple tiré du Shintaido est la pratique sagari iirimi qu’Ito appelle “Bienvenue, par ici s’il vous plaît”. Vous pouvez le voir dans cette vidéo de 7 secondes. Dans le kumite, nous tendons la main lorsqu’un adversaire s’avance vers nous, comme si nous ouvrions notre porte d’entrée. Nous ouvrons la porte et l’attirons vers nous et à côté de nous. Nous finissons tous les deux par faire face à la même direction : nous
voyons le monde depuis un point de vue similaire. Lorsque Ito enseigne cette technique, il souligne que lorsque nous nous faisons face, nous regardons dans des directions différentes, c’est-à-dire que je regarde
vers l’ouest et que mon partenaire regarde vers l’est. En revanche, faire l’effort de voir le même paysage depuis la même direction est, à tout le moins, un point de départ pour la compréhension et la connexion.
Ma conviction personnelle est que je dois d’abord modeler cela – creuser profondément et faire du kumite énergétique avec ceux que je préférerais vraiment éviter – si je veux que le modèle de l’art du kumite se développe.
Jennifer McLean – enseignante et chef de file international de la prière – pense que le fait d’avoir une pensée négative sur quelqu’un peut le maintenir dans un schéma négatif. Multipliée par des milliers ou des
millions de personnes, elle peut devenir une véritable force négative. Vous ne croyez peut-être pas à cet exemple, mais dans la Communauté mondiale Taimyo, nous pratiquons l’inverse – faire le Taimyo Kata et maintenir les gens et la planète en paix. Ne pourrait-il pas en être de même pour la forme négative ?
Je suis très impressionné par l’histoire du Dr Hew Len et son travail à l’Hôpital d’Etat d’Hawaï dans le service de haute sécurité pour les fous criminels. L’environnement du personnel et des patients était extrêmement
chaotique à son arrivée.
Il a passé quatre ans à l’hôpital, à plein temps, examinant occasionnellement les dossiers des patients mais faisant surtout une prière hawaïenne Ho’oponono continuelle. Presque tous les patients se sont améliorés et sont sortis de l’hôpital, et la dynamique du personnel s’est grandement améliorée. Le service a fermé au bout de quatre ans par manque de patients. Que vous croyiez ou non que ce changement soit le résultat des prières du Dr Len, l’idée de créer ce type de changement à travers la Communauté Globale Taimyo m’intrigue vraiment.
Si vous êtes ouvert à l’idée d’essayer cette approche, je pense qu’il y a plusieurs façons de pratiquer cette reconnexion intérieur-extérieur :
1) Imaginez une personne (ou un groupe de personnes) d’un “côté” différent du vôtre. Il peut s’agir d’un problème social, culturel ou politique ou simplement d’une personne que vous n’aimez pas ou craignez – vivante ou morte. Tenez-la à une distance sûre de vous et passez du temps à être curieux de son enfance et de ses années de formation, de ses blessures et de ses peurs, et de ses besoins fondamentaux. Que ressentez-vous en vous tenant en face d’elle dans votre imagination ?
2) Pour une personne moins menaçante, imaginez que vous faites le kumite “Bienvenue, par ici s’il vous plaît” avec elle. Que voyez-vous tous les deux, face à la même direction ? Comment vous sentez-vous ?
3) Si l’une ou l’autre de ces situations est trop difficile, demandez-vous : ” Si je pouvais le faire, qu’est-ce que cela pourrait me faire ? “.
Jennifer McLean a partagé une adaptation du processus traditionnel hawaïen Ho’oponono de réconciliation et de pardon sous la forme d’une prière/méditation guide. Il s’agit d’une approche de guérison qui s’adresse
simultanément à ceux que nous craignons ou détestons, et aux parties non reconnues de nous-mêmes que ces personnes déclenchent. Il s’agit d’une version plus longue de ce que j’ai décrit ci-dessus. Vous avez probablement rencontré d’autres formes de prière, de méditation et de guérison qui fonctionnent de cette manière.
Quelle que soit l’approche, je pense qu’elles nécessitent toutes de s’ancrer dans son propre espace de sécurité avec le soutien de ses amis et de sa famille. Le village de Pear Tree est une source de soutien qui me permet de faire ce travail de connexion, ainsi que des amis spirituels de la communauté des Amis (Quakers). Pour les bouddhistes, cette communauté se trouve dans la sangha, et pour les pratiquants de l’église, dans la fraternité. Que vous suiviez une tradition religieuse ou que vous trouviez votre fondement dans le Shintaido, mon espoir est que nous puissions nous soutenir mutuellement dans la Communauté mondiale Taimyo, alors que nous suivons ensemble le chemin de la paix.
壊れているものを再び繋ぐ
トミ・ナガイ=ローテ
序文
予防接種の有無やマスクの違い、気候変動に対する考え方、世界各地での戦争、タートルアイランド(アメリカ)の路 上で黒人や褐色人種に対して行われている戦争など、物理的・社会的な隔たりをどう埋めるか、私はコビット期を過
ごしました。
私は生来活動家であり、12歳のときからポジティブな変化を求めて活動してきました。この2年間は、Black Lives Matterのキャラバンを共同開催したり、警察署がその3倍以上の新しいパトカーを要求しているのに、公立図書館の 職員を削減するという私の市の決定を検討したり、地元の先住民族が、すべての入植者に名誉土地税を払って、奪 われた土地の再生を支援するよう求めていることについて書いたりしていた。
それでも、もっと必要なことがあるように感じました。同じことを繰り返すのではなく、別の次元での活動です。私はた だ祈りや太極拳の練習をする人間ではないので、より平和であることによって平和を作り出すという伊藤の練習と、 過激な自己責任という概念を組み合わせて取り組み始めました。まだまだ未熟な私ですが、これは精神的な活動だ と考えています。この記事は、平和を追求するための精神的活動として、太虚やその他のツールを使用することに ついての私の現在の考えである。
私の家族は、平和とは人間や動物、自然界とのつながりを積極的に築くことだと定義している。そうしたつながりが 安全や癒し、成長を促すと信じているからだ。私たちは地域社会をまとめるためにピース・ポットラックを開催し、大 家族は持続可能な共同生活と日々のつながりの例として、「梨の木村」と呼ぶ場所で一緒に暮らしています(上の写 真は梨の木と木の家です)。
新体道やライフエクササイズでも、パートナーや一緒に練習する人たちと深いつながり(間合い)を作ることに投資し ています。道場の中でも外でも、Zoomを使ってでも、こうしたつながりを大切にし、育てていきます。私が受けたすべ
ての評価や審査では、パートナーとのつながり、そして私がパートナーにポジティブな影響を与えたかどうかを深く見 ています。私たち指導者の目標は、御霊(ごりょう)を通して一体感を生み出すことです。稽古の北極星は、天地人和
合体、つまり自分自身と社会、天と地が一体となった究極のつながりを体現しようとすることです。
この原則を道場から生活の中に取り入れることは、興味深いことであると同時に、非常に困難なことでもあります。例えば、稽古場に行って、組手相手として誰を選ぶか、選ばないかを決めることはできない。次の人に頭を下げて、すぐに組手関係を構築する必要があります。
道場の外に出て稽古をすることの大切さが、この5つのステップに表れている。
ぬけのび ききさえ じざい
抜け 伸び 利き 冴え 自在
解放 伸び 効果 明確 自由
伊藤は、このことを理解する一つの方法は、私たちの練習を通してであると説明した。防寒対策 脱力系組手 私たちの稽古と道場の外での生活
大きな世界では、私たちの稽古は、世界に肯定的な変化をもたらしたいなら、嫌いな人、あるいは恐怖や憎しみのある人とも組手をする必要があることを理解したとき、現実的で厳しいものになるのである。私が「組手をする」と言ったのは、精力的に、想像力を働かせて相手と接するという意味であり、必ずしも現実に相手と対峙する必要はない。この想像上の出会いでさえ、とても難しいことなのです。
このことは、「私はこの人たちと意見が違うから、この人たちは間違っているに違いない」というような、どちらかの側 に立ってしまう自然な傾向を超えて、成長するために稽古をすることを意味すると私は考えています。公共の場がい
かに分裂的で暴力的になっているか、戦争にさえなっているかについては、多くのことが書かれています。では、グ ローバルタイミョーネットワークに参加する私たちは、壊れたつながりをつなぎ直し、世界を平和に導くために、何か ら始めればいいのでしょうか。
新体道の素晴らしい例として、伊藤が “ようこそ、こちらへ “と呼んでいるサガリ・イリミの稽古があります。この7秒間 のビデオで見ることができます。組手では、相手がこちらに歩み寄ってきたときに、玄関のドアを開けるように手を伸
ばします。ドアを開け、相手をこちらに引き寄せ、横に置く。お互いに同じ方向を向き、同じような視点から世界を見 ることができるのである。伊藤は、「向かい合うと、自分は西を、相手は東を向いていることになる」と指摘する。それ
に対して、同じ風景を同じ方向から見ようとする努力は、少なくとも理解とつながりを築くための出発点となるもので す。
私の個人的な信念は、私の周りの世界を変えたいのであれば、まず私がそのモデルになること、つまり、本当は避 けたい相手と深く掘り下げて精力的に組手をすることが必要だということです。
ジェニファー・マクリーン(教師、国際的な祈りの指導者)は、誰かについて否定的な考えを持ち続けると、その人を 否定的なパターンに閉じ込めてしまうと信じています。それが何千人、何百万人という人たちに伝わると、本当の意 味で負の力になるのです。この例は信じられないかもしれませんが、世界の太極拳コミュニティでは、太極拳の型を 行い、人々や地球を平和に保つという逆のことを実践しているのです。ですから、ネガティブな形でも同じことが言え るのではないでしょうか?
私は、ヒュー・レン博士がハワイ州立病院の精神異常犯罪者用高セキュリティ病棟で働いていた時の話をとても気 に入っています。博士が着任した当時は、スタッフも患者も非常に混沌とした環境でした。
彼はこの病院で4年間フルタイムで働き、時には患者のファイルを見たりもしたが、ほとんどはハワイのホ・オポノノ の祈りを継続的に行っていた。ほとんどすべての患者が改善されて退院し、スタッフの行動力も大きく改善されまし た。病棟は4年後、患者不足のため閉鎖された。レン博士の祈りがこのような変化をもたらしたと信じるかどうかは別 として、グローバルタイミョーコミュニティを通じてこのような変化を生み出すという考え方は、私にとって実に興味深
いものである。
もし、あなたがこの方法を試してみたいなら、この「内と外のつながり」を実践する方法がいくつかあると思います。自分とは違う「側」にいる人(またはグループ)を想像してください。これは社会的、文化的、政治的な問題かもしれま
せんし、単にあなたが嫌いな人、恐れている人(生きているか死んでいるかは問いません)かもしれません。その人を安全な距離で遠くに抱きかかえ、その人の子供時代や形成期、傷や恐怖、基本的なニーズについて好奇心をもって過ごしてください。あなたの想像の中で、その人の向かいに立つと、どのように感じますか?あまり脅威を感じない相手には、「いらっしゃいませ、こちらへどうぞ」の組手を一緒にしていると想像してください。同じ方向を向いているあなたには何が見えますか?それはどのように感じますか?どちらかが難しければ、「もし、それができたら、どんな感じだろう」と自分に問いかけてみてください。
ジェニファー・マクリーンは、伝統的なハワイのホ・オポノノの和解と許しのプロセスを、ガイドの祈り/瞑想の形にアレンジしたものを共有しています。これは、私たちが恐れたり憎んだりしている人たちと、その人たちが引き金となって
いる自分自身の無意識の部分に同時に取り組む癒しのアプローチなのです。これは、私が上に概要を述べたものの、より長いバージョンです。このように機能する他の祈りや瞑想、癒しの形態に出会ったことがあるのではないでしょうか。
どのようなアプローチであっても、友人や家族のサポートを受けながら、自分自身の安全な空間でグラウンディングすることが必要だと思います。梨の木村は、フレンズ(クエーカー)コミュニティのスピリチュアルな友人たちとともに、
私がこのコネクションワークを行うためのひとつの支援源となっています。仏教徒にとってはサンガ、教会に通う人々にとってはフェローシップがこのコミュニティです。あなたが信仰の伝統に従っているか、新体道に基盤を置いているかにかかわらず、平和の道を共に歩むために、グローバル大名コミュニティの中で互いに支え合うことができればと願っています。